Colourful mile markers.
I’m going to justify purchasing those brushes or I’m going to paint trees trying. Or both. Probably both. This piece follows on from the attempts present in Mushroom Inspired, which are not entirely related as those are destined for watercolour painting while this is an acrylic painting. I’ve also yet to add more attempts to that particular set of watercolour paintings. But that’s what happens when you’ve got watercolour, acrylic, and gouache tubes quite literally piling up all around you. Not to mention all of that canvas and watercolour paper.
It’s a muddled haze of various paint tubes and water jars.
I’m starting to echo previous thoughts of stretching myself too thin, though. It’s noticeable that my output is suffering somewhat in the face of trying to do as many things as I am at the moment, as I have a lot of things that exist in a transitory state. They’re not quite here, there, or really anywhere at the moment. But they exist in their own mildly confusing way.
To add a moderate amount of insult to that injury I’m also not too happy with this result. But that’s also a transitory issue as I’m still getting used to how these brushes feel, how they hold the paint, and how well I can apply the paint. I’m also a few months out of practice with acrylic painting. I’ve started to understand more about why I don’t like my acrylic paintings, though. It’s mostly related to details and perhaps due to or as a result of the preparatory stages. I’ll be taking a break from gouache for a while, too. It’s becoming increasingly confusing trying to sort watercolour painting approaches, acrylic painting approaches, gouache painting approaches, pencil sketching approaches, and ink detailing approaches all at once.
There’s also an issue of breeding familiarity with acrylic painting. It’s still an approach in its infancy for me and that’s something I need to recognise more when I’m pushing for certain results, which might not be as possible as I’d like to think. I do need to learn how it works. Much as I have with other materials. That said, I’ve been unusually happy with recent pencil and ink attempts. Which is a small amount of positive reinforcement in an otherwise confusing time. It’s certainly… something… right now when it comes to all things creative.
But that’s not a negative response, either.
I’m rather happy that I’ve had this momentary reignition of inspiration. I might not be entirely happy with everything I’m doing, but I’m actually doing it and making progress towards understanding more than I ever have about my creative influences. Which is always better than coming away from the experience none the wiser and more frustrated as a result.
This can mostly be considered a mile marker on the road of my artistic journey. I’ll either look back on this as a better acrylic painter or I’ll look back and realise there’s still work to be done. In either case, I still feel it’s an important part of the creative process to recognise progression where it exists. Or to provide an amount of progression through sketches and other pieces that aren’t quite to the quality standards you adhere to. That’s why these posts are both fun for you and interesting for me. We both get to share something that not only generates content, but strengthens the level of creative content on the site(s), and provides me with an actually useful tool to measure how things are going in various ways.
Have a nice weekend, all!
Art, design, and the like found herein (unless otherwise specified) is drawn and owned by David Wilkshire (also credited as Moggie) from 2006 to present date.