Human Time Machine

You can’t always make the best decisions.

Life is Strange is an exceptional narrative-driven experience which features an unparalleled use of choice and consequence. You experience the story as Max Caulfield, a photography student who learns she has the ability to rewind time, and who will slowly uncover the truth about Arcadia Bay. The first few episodes do well to lay a strong foundation of how to utilise various mechanics and help you to build meaningful relationships with other characters. The last two episodes are as exhilarating as they are heartbreaking as the story comes to its conclusion.

I’m most impressed with the character development.

Max is an oddly easy to relate to protagonist, who, with her new found powers, can answer some questions that are perhaps best left unanswered. Experiencing the consequences of her actions- and feeling the repercussions of certain decisions- is exactly what I wanted from Life is Strange. Even if I knew that some of her more drastic decisions weren’t going to end well.

I’m also quite impressed with how the developers introduced their core mechanics and conveyed them to you in such a way that they were incredibly intuitive. Many of the puzzles in the story are quite easily solved when you think about what you can do, and how you can quite literally be in two places at once. I rather liked the idea of Max’s diary, too. It really is very simple but it helps to introduce the characters, to explain the events prior to the story, and to understand your actions from her perspective. I feel as though a lot of love went into developing this universe and the characters therein. The optional photographs scattered around each episode were pretty neat as well. It’s a fitting series of achievements that suits the style of gameplay.

It’s not like someone could completely vanish without any trace, right?

I greatly enjoyed the story, too. It was definitely surprising but it made sense. I was quite happy with seeing how my decisions had affected the way the story would unfold, and I felt as though the endings were understandable resolutions to those events. I’m still conflicted as to which I feel is the correct (for lack of a better word) ending. But that only illustrates how well the events were presented. It’s arguable that there isn’t a correct ending as it really does depend on what you feel about the choices you’re presented with.

There’s also some impressive foreshadowing to those endings in hindsight.

I’ll definitely be back to Life is Strange soon as I’m keen to explore different outcomes to my decisions. Or keen to make completely different decisions. I missed a few photographs, too. I’m very likely to purchase Life is Strange: Before the Storm as well, and experience the events prior to this story from a completely different perspective. A blue-haired perspective.

I can string together any number of positive adjectives to indicate how I feel about Life is Strange but it really was an interesting experience that I deeply enjoyed. I’ve always liked stories that feature alternate history or time travel, and this story features both, but it also makes a lot of sense, and doesn’t rely on the convolution of time to hide mistakes. I also enjoyed the art direction and felt that it was an appropriate way to present this story. It’s definitely not for everyone, but I think it’s worth a try if you’re wondering whether you’d like it. Now if you’ll excuse me, I need to go and rewind time so that I can take more photos of squirrels. It’s not an abuse of my power. Not in the slightest.

Have a nice week, all!

Moggie

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Wings Over Ivalice

A convenient method of transportation whenever you’re not in Jagd.

Final Fantasy XII The Zodiac Age is an impressive remaster which introduces a number of new mechanics and provides an enjoyable experience throughout. I’ve already shared my thoughts on the new job system, but there are quite a few changes besides the inclusion of tantalising character builds. Most of these changes affect how you progress through the campaign, what certain Magicks are classified as, how you acquire some of the rarer equipment, and make the bazaar a more prominent feature for various reasons.

I’m mostly in support of these changes.

However, there are some, as previously mentioned regarding the job system, which do feel slightly imbalanced. Grinding is still prevalent in the earlier locations, but becomes almost non-existent as much of the higher level equipment can only be found. So there’s never a comfortable break even point. You’re either ridiculously poor or you’re obscenely wealthy.

The actual story campaign is as good as it ever was. You’ve still got the gorgeously vivid, freely explorable, incredibly detailed open world that will engage you for dozens of hours. Overflowing with side quests, rare monsters, optional marks, and more. Graphically, even without the remaster, Final Fantasy XII still holds its own. There are dungeons which take literal hours to fully explore, filled with traps and puzzles and not nearly enough save crystals. But I do feel as though something is missing from The Zodiac Age. I’m currently sitting on 10-15k Licence Points across the entire party, but I can’t spend them due to completing all of my boards, and so even though I’d like some characters to learn new abilities they can’t, which is eternally frustrating.

I’ve greatly enjoyed exploring the world, uncovering its secrets, experiencing the main story, and being able to relive what I consider to be one of the best instalments in the series. But I do miss the freedom of the original Licence Board. That said, it’s still an incredibly good remaster and (mostly) highlights what made Final Fantasy XII so engaging. Gambits remain one of the best AI mechanics in the entire series and allow so much customisation of who does what and when they do it. Ultimately giving characters unprecedented levels of autonomy in battle.

Espers are pretty interesting, too.

They’ve changed slightly in The Zodiac Age but their premise remains the same. They can be temporarily summoned to provide assistance in battle, and they have a range of different abilities which are strengthened by the proficiency of their summoner. They’re also very rarely used in environmental interactions. Which is another thing that Final Fantasy XII does very well.

Despite disagreeing with some of the changes in the remaster, Final Fantasy XII The Zodiac Age is still a great entry point for new players and will provide an 80hr+ campaign if you’re looking to see and do everything. Even if you’re not you’re in for quite a long run. There has always been such a unique visual and musical style to Final Fantasy XII which really encapsulates the feeling of classic Final Fantasy instalments. It’s still much broader, more diverse, and has more depth than even the newest instalments. Which is a testament to the incredible amount of work that went into developing the original. Even now, twelve years later, it’s still one of the most exhilarating adventures in the Final Fantasy series. It’s absolutely worth your time!

Have a nice weekend, all!

Moggie

Licence to Adventure

My life would be more interesting if I had one of these.

Final Fantasy XII The Zodiac Age is an interesting adventure if you’ve ever experienced the original release. Unlike the Final Fantasy X/X-2 HD Remaster which keeps most of the core mechanics intact, Final Fantasy XII The Zodiac Age introduces a shiny new job system. Which, to be fair, was present in some versions of the original but definitely not the version I had. However, unlike other instalments with a job system, such as Final Fantasy III or Final Fantasy V, there is no need (nor any ability) to switch jobs after they’re chosen.

Which means you need to choose wisely.

But it also means that you don’t necessarily need to use every single job that’s available. Some offer little benefit other than access to another class of weapons which may or may not offer any noticeable difference. For instance, the Bushi, which primarily uses katanas, benefits from the Uhlan as they can use spears. As spears can hit flying enemies where katanas can’t.

That said, the only magick that combination could cast would be Black Magick unlocked via Espers and Quickenings. Which means that, unless you’re comfortable giving up the Esper, you’re essentially making a character that can only cast very limited Black Magick. Not that there is any requirement to have each character cast magick, but it does present an interesting issue when they’re going to gain increasing amounts of MP as they level. Something that is also prevalent with the Knight. The Knight is a class that will usually naturally develop low level healing magic, but in this incarnation they need to use Espers to unlock even the most basic White Magick. Of which their overall selection is quite limited but does prove useful.

I’ve never met a chocobo I didn’t like. Even this one.

For that reason I’m not entirely sure how I feel about this job system. For newer players it’s probably easier to digest than the original Licence Board, but for more experienced players I feel as though the job system takes something away from the experience. Especially when numerous jobs have access to Green Magick which seem to be almost exclusively unlocked through your Clan Rank. So there are several Licences you’re going to get little benefit from until much later in the story but they’re available fairly early on the board.

It’s natural that high level equipment would be saved for later.

But it does feel as though there is an imbalance between the progression. Some rapidly progress through equipment and HP Licences to become much more powerful earlier on in the story, while others seem to lack any kind of punch until much later. Like the Black Mage. Which was a secondary choice for me but didn’t become relevant until after the second board was available.

I don’t hate the new system. In fact, I welcome it. It’s interesting to see the difference between the two approaches. But it would be nice if they would allow you to access the original Licence Board, too. For those who prefer that system. Or want to experience it for the first time. I’m still enjoying my time with Final Fantasy XII The Zodiac Age regardless. It’s a huge adventure that never stops giving even when you think you’ve explored a fair chunk of the world. I’ve discovered hidden Espers, locations, and more while casually exploring the various locations that seem to be appearing as quickly as I clear them. I also decided that I’d put my thoughts down in writing. So, here they are. My thoughts. In writing.

Have a nice week, all!

Moggie

Neither Man Nor Machine – 2018 – Digital – click for full view on site!

Like some sort of horrifically deformed cyborg.

It’s definitely more man than machine, though. I decided to exclude the harness from the finished version, which will hopefully put more emphasis on the anatomy and (most importantly) the face as these were the key areas of the composition. It hasn’t been the easiest creature to paint, either. But that was part of the challenge. Even with the original incarnation I wasn’t too pleased with some areas of the composition, but I still feel as though this is an improvement. It also helps me ease into some of the paintings I have in mind.

I’ve had to learn a lot over the last few months.

It’s hard to explain, but I’ve mostly reworked my approaches to digital painting as the new tablet is so noticeably different that I can’t use my old habits. They just don’t work. That’s why I’ve focused so much on how this piece has progressed from the early concepts to later developments, because I’ve had to mostly relearn digital painting in the last six months.

I’m most pleased with the skin texture and how it seems to cracking, bubbling, and peeling from their flesh. I’m least pleased with the teeth. I could never really decide what I wanted to do with them, and I didn’t like them as much as the sketchy almost non-existent teeth in the original concepts. This is one of many things that I’ll need to work on in the coming months. I know my understanding of all of the digital tools is limited, as I lack experience, so I expect to have areas of different compositions which could have been handled better, but weren’t for one reason or another. It’s definitely one of my better attempts regardless of any criticisms I might have. But then I’ll always have criticisms of everything that I do.
That said, I am quite happy that the majority of my work of late has been finished. Not only do I learn more about digital approaches with each finished piece, but they provide much needed creative content that is quite varied at the moment. We’ve seen everything from owls, to fictional beasts, to the no longer deceased. I’ve been itching to do more traditional pieces recently, too. But I’ve still got two digital paintings which are on their way. One has been started (and was actually started before this piece) and the second is going to be started soon.

The second should be quite good should it ever see the light of day.

The one thing that I lack at the moment is time. Not in the sense that I don’t have enough of it, but in the sense that I have so many things that I’m working on that even with an overflowing amount of it there isn’t enough. I’m using every hour in the day that I can without pushing myself to exhaustion but it still isn’t enough. It’s an oddly enjoyable feeling, though.

I don’t think I could ever be upset about an increase in the amount of creative content I’m producing. It’s just that I’m quite tired at the moment. I’ve been falling back into the old habit of letting the schedule dictate the content rather than the content dictating the schedule. That said, I’ve been actively working against that recently. It’s just a shame that this piece went through so many different iterations before reaching its conclusion. I’ve spent a good number of hours on this piece by now. Definitely more than I should have spent. But the result is agreeable enough and so I can’t complain, but I do feel as though I could have finished two paintings in the time spent on this one. I guess I’m just overstimulated by recent motivation.

Have a nice week, all!

Moggie

Art, design, and the like found herein (unless otherwise specified) is drawn and owned by David Wilkshire (also credited as Moggie) from 2006 to present date.

Doom, the UAC, Doomguy, Pinkies, Revenants, and all associated trademarks and devices are owned by id Software.

Unholy Evolution

I wasn’t expecting to go on this journey.

Not that I mind. In fact, I’m actually quite fond of this piece because it has helped me illustrate (pun intended) some of my more ambitious digital approaches. It’s interesting looking back at how the piece has evolved from the earlier stages where it was more of a painting, to when it became an illustration of sorts, to how it has now become a hybrid of the two approaches. I’ve mentioned before that each of the newer digital paintings has their own unique qualities and this one (unsurprisingly) is no exception.

That’s a sentence that is quickly becoming redundant.

Mostly because I don’t think any piece will ever completely follow the one that came before it. I’m of the opinion at present that the thick painted style that’s starting to show through in this piece will make a return, but perhaps it will be more ambitious or more conceptual in that attempt. I’ll more than likely lean on this approach more as I think it has a lot of character.

I mentioned previously that I wasn’t sure how I’d use the layers for this piece. That’s always been an interesting point for me as I feel as though the layers are part of the digital approach, but I rarely use more than two or three. That said, I’ve also heard many experienced digital artists say that layers (and brushes) are individual to the person. There are no requirements to have multiple layers and you can use just the one if you prefer. I think that has always made more sense to me given my experience with traditional approaches. But, at the same time, it’s quite nice to be able to section up some areas of a piece to make it easier to add or edit them. Regarding this piece, it’s mostly painted on a single layer with a few extra layers for convenience.

I’m particularly reminded of raw chicken skin.

I’ve rather enjoyed writing these posts, too. It’s nice to have creative content that looks at how everything has changed. I’d felt that creative content had become stagnant, but through these work in progress (and the material studies) posts the newer content is more interesting as a result. It also gives me the opportunity to talk about things in a broader and less specific way. I can then easily tie this all together with an image or three, which makes it enticing even if you don’t care about what I’m actually saying in the post. Which I hope you do.

But even if you don’t it’s not like you can’t enjoy the pretty pictures all the same.

I’m particularly fond of the evolving colour choice in this piece. I’ve tried to include more darker colours to enhance the lighter ones, and to suggest a better sense of depth and contrast in the piece as a whole. I’m not sure if it actually worked but such is the way of painting anything. You can never be entirely sure of how a piece is going to develop until it has done so.

There’s also a whole section of this piece that I’ve yet to paint. It’s not a particularly large section, but the harness and mechanical components have yet to be added and will be used to frame the piece quite nicely. I don’t intend to paint much of the jet pack, either. But we’ll see how that goes when I get around to it. It shouldn’t be too much longer before we see the final version of this piece, though. The rather drastic change that occurred between this and the last work in progress shouldn’t occur again. But even if it does this will be the last post regarding this piece until the final version is presented, as I feel as though there is little left to say now. It’s definitely inspired more content than I could’ve anticipated.

Have a nice week, all!

Moggie

Art, design, and the like found herein (unless otherwise specified) is drawn and owned by David Wilkshire (also credited as Moggie) from 2006 to present date.

Doom, the UAC, Doomguy, Pinkies, Revenants, and all associated trademarks and devices are owned by id Software.

Horrific Resurrection

I always knew this would come back.

Those who have followed me for a while may remember the original attempt I made when painting this particular hellish creation. I don’t necessarily dislike the original attempt, either. It’s just that I always knew that I could do something that better represented the way I originally envisaged the piece, that, due to various reasons, never actually materialised in the finished version. Not that it was ever completely finished. That said, I do like the conceptual approach I took with the original attempt.

It also serves to highlight my progress with digital painting.

Which is an approach I’m still fairly inexperienced with. Each of the attempts I’ve made at digital painting earlier this year have highlighted something unique to those pieces, and this piece is no exception. It also marks the first time that I’ve attempted something that is at the very least slightly humanoid. Which helps me to ease into prospective digital paintings.

I’ve had many different ideas for digital paintings this year, too. Most of them are considered purely to leverage the benefits of digital painting. In that, unlike traditional painting, you have the capability to infinitely reattempt a digital painting. You can be much more creative with the composition, colour choice, or approach as well. As there is little to no risk of actually being unable to finish the painting at a later date. This process can be quite costly with traditional approaches. It also allows me to get used to working on a piece consistently over multiple periods of time, which is something that I will need to become more accustomed to with traditional approaches in the future. I can’t quite say when these traditional pieces will make an appearance, though.

That’s the face I make when I get a free coffee.

This particular work in progress is going quite well at the moment. I’m most fond of the peeling skin texture, which is not unlike frayed fabric and fits how I envisaged the skin to be stretched over the flesh. I’m also quite fond of the eyes. They’re a little more squishy and bloodshot than I initially intended but they still fit. They haven’t fallen out of their eye sockets at least. I’m pleased with the semi-realistic approach as well. I’m not sure how best to actually describe this approach, but that’s to be expected at this point.

I never know what to call anything that I do.

I’m not entirely sure how I feel about the colour choice for the exposed flesh. It’s a little too bright for my tastes. But that could just be because I’ve been staring at this painting for hours and need a break from it. I’ll decide later whether I want to darken those colours, lighten them further, or leave them as they are. I don’t really know what I’m doing with the exposed flesh.

I’ve been much more concerned with the skin and the general composition up until this point. I wasn’t sure if I’d continue with my usual single layer approach, or if I’d use two layers with one for the skin and one for the flesh. Each approach is useful but I still feel more comfortable with the single layer. That said, I do have my usual extra layer which is used for the little details and additions which I might decide against later. Which, again, is another benefit prevalent in digital approaches. You can easily add new colours or details and (if desired) remove them just as easily. I’m still quite proud of how my creative efforts have developed over this year and I’m looking forward to what I might do next. Even I couldn’t say for certain.

Have a nice week, all!

Moggie

Art, design, and the like found herein (unless otherwise specified) is drawn and owned by David Wilkshire (also credited as Moggie) from 2006 to present date.

Doom, the UAC, Doomguy, Pinkies, Revenants, and all associated trademarks and devices are owned by id Software.

Accelerating Rate of Change (Pt. 2)

Changing habits like Infusions on your weapons in Dark Souls III.

Not that I ever really changed my Infusions around. I was originally toying with Chaos for the fact that I wanted to be a sort of Pyromancer, but ultimately decided on Heavy because I was using a broadsword and a shield. Strength was also my primary attribute. So it kind of made sense to lean on Heavy. Not that anything about that build made sense in the end- especially when facing bosses- as the shield was pretty much a hindrance. It did make clearing the majority of the content easier, though. Until I reached the DLC content.

Then my Unkindled was the lone resident of slaughter city.

I’ve mentioned previously how the last few months have been good for creative content, and so, in this post, I’d like to talk about how gaming content could potentially change. I’ve been thinking about focusing on individual aspects of certain titles and writing posts about them. This first occurred to me when I thought about playing through Dark Souls again.

I’ve already got a post that summarises how I felt about Dark Souls, but I’ve never actually experienced the Artorias of the Abyss DLC despite fighting the Hydra and likely having access to it with my first character. I’d also like to go back and experience a different way to play the original. Maybe with Miracles. Or spears. Or a spear with Lightning Spears. In the same way I could look at the different DLC for Dark Souls II and Dark Souls III as well. It was just an idea I had for highlighting content that I may have missed the first time around. It also illustrates how my personal focus is changing back to what it used to be, and how I’d explore certain games more than others or play through them multiple times. Dark Souls as a series is perfect for this, too.

Thinking about this chocobo makes me sad.

I’ve also been playing a lot of the Final Fantasy series in the last couple of years. Most recently I finished the main story for Final Fantasy XV but have yet to start on any of the DLC. Mostly because I’d already been playing for near enough 100hrs and didn’t want to rush through it, which meant it was probably best to return with fresh eyes. I’d also probably enjoy it more if the story wasn’t as vividly present in my mind. It’s like getting to experience it all over again. Which is one of the nice things about having Final Fantasy XII The Zodiac Age.

I can finally revisit one of my favourite instalments in the series.

This will mean that there will be more gaming content but I’m not going to stop creating other kinds of content as a result. I’ll still be sharing new creative efforts, random updates, and explanations of why I should never go to the local art store. This will just be occasional additional content which highlights things that I find interesting. Or fun.

Or a compilation of how many times it’s feasibly possible to die against the Nameless King while desperately trying to tank him with a greatshield. It’s technically feasibly possible to die infinitely as long as you never stop attempting it. I am known to be stubborn, too. I don’t usually feel this comfortable with whatever this is that I do and so I’m just stretching out a little. Like when you’re laying in a really comfortable bed so you stretch outwards. Only to find that you can’t stretch to the left as there’s a cat on the bed with you, nor can you stretch to the right as there’s another cat on the bed with you, and so you sit quite content with the purring sounds of your furry friends. Who never want to move, either. So making that bed will almost always be impossible.

Have a nice weekend, all!

Moggie