Expensive Mistakes

Not so much a mistake but a lapse in judgement.

Not that it was really a lapse in judgement, either. It was more of a calculated logical thought process tempered in the fires of reasoning. But there really is no point in trying to explain why I do the things I do, mostly because that would take far longer than just explaining that I’ve done them. I’ve been working towards a collection of materials for some time, though. So this is hardly something unexpected. Mostly because I’ve been looking to get a nice set of flat brushes that compliment the nice set of round brushes I bought some time ago.

I’ve got this thing about brushes. It’s kind of concerning.

I also bought a fan brush because they’re neat and I’m sure I’ll find a use for it. At some point. For some reason. In any case, I’ve finally decided to settle (for lack of a better word) on a collection of materials which I believe suit what I’m attempting to do. I don’t know if they’re the materials I’ll be sticking with forever- but they’re the ones I’m sticking with for now.

Spontaneously purchased some gouache tubes while I was at it, too. It’s… an interesting material. I’ve not used them for much outside of a small test piece, but I’ve learned a little more about them in the process of painting that test piece. I’ve also discovered the joys of layering gouache. Which isn’t actually as easy as it might seem, as the paint never actually dries (as far as I can tell) and can always be reactivated even after several hours. Well, no, it does dry, but it doesn’t stay dry. That might be a better way to explain it. It’s an interesting detail that I wasn’t too aware of and so my first attempts were somewhat flawed. I’m really enjoying the creamy texture of the paint, though. The styles I could create with it are gorgeous.

Moggie makes the mistake of going to the local art store.

I suppose it’s more that I’m approaching it wrong as it’s kind of like acrylic and watercolour had a baby. A very creamy baby. Which means you need to approach it in a similar way to how you would approach watercolour, working light to dark instead of dark to light. Not that you can’t overlay colours. Just that you’re going to run into issues if you’re trying to overlay incredibly light colours over incredibly dark ones. As the darker ones will reactivate and blend endlessly into the lighter ones. Some of my issues are definitely my own.

Which I’ll work out by learning more about the material in time.

It’s kind of exciting, though. I’ve really enjoyed being able to learn new things about acrylic (and even digital) painting. Gouache is just another test that I’ve forced myself to go through for reasons I can’t quite explain, but will appreciate once I do something I really like with that particular material. Like every other material I own. It’s, again, a thing I’ve got for materials.

That doesn’t mean I’m entirely abandoning acrylic painting, either. I’ve got my own set of issues with that particular style of painting as well. But, as I mentioned in Mushroom Inspired, I’m starting to change what I consider are my conventional approaches to different subject matter. I may be doing more watercolour painting in the future. That could extend to gouache and acrylic painting, too. It also may not. I may continue with things as they are. But there’s definitely something different about how I see things, how I approach them, and my level of confidence with the range of materials that I use. I can’t tell if that’s just experience evolving into confidence or whether I’ve reached another artistic plateau. The latter sounds terribly conceited.

Have a nice week, all!

Moggie

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