The left leg is connected to the right shoulder blade.
That’s a pretty funny looking abomination. Then again- try to knock him down! See how he gets along just fine scuttling away like a malicious crab with his back legs? Who’s laughing now, huh? Probably not you. You’re probably wondering what I’m talking about. It’s okay, I don’t know either. You’re in for a treat, though. This is one of the rare times I’ll be able to throw together a traditional art work in progress post. Rare due to the fact that they’re cumbersome to create. All that scanning, cropping, and stopping.
Much easier to do with digital painting.
Pencil is one of the most forgiving materials for this sort of thing, though. It’s also been a while since we’ve had any exclusively pencil pieces here or on the site. So you’ll not only get to see progression, but you’ll also get an idea of where my pencil style could possibly be going. Honestly, I like leaning on the shading a little heavier than I probably should.
I’ve mentioned before that my pencil style is a great indicator of how much I’ve changed. I once had a very different idea of the style I wanted, I also had a different idea of how to achieve that style and how to bring materials together. To make sure they work together with the least resistance. However, we’ve seen great changes in the way I approach ink pieces. Ink used to be entirely consistent with pencil, too. Very light, crisp, empty lines. Developed into heavier, fluid, intricate lines. I’m still humouring the notion that ink may one day replace pencil as my primary choice of material. Not that the notion is very humorous these days. It’s actually very likely to happen.
This is a slightly different kind of paper than what I’d usually use, too. This is an older cartridge paper which is much heavier, much smoother, and more akin to bristol board than cartridge paper. As that is traditionally much lighter with a stronger texture. Or, at least, the cartridge paper I’ve used in the past was. I’m not entirely sure if I’m happier without the texture or whether the texture adds something to the piece. It’s easier to get smoother, fluid, consistent shading without the texture.
But textures are my jam.
I put them on bread late at night when I’m peckish and the pantry is empty. That said, the smoothness of the paper does allow me to transition to ink with little risk of damaging any of the nibs scratching against the texture. Especially that lil’ 0.05 nib. It’s so precious- I must protect it at all costs!
Those who are curious as to what this abomination actually is, well, that’s exactly what it is- an abomination. Those familiar with the Warcraft universe will most likely know of their existence. This is the famous named abomination Stitches. Referenced from his Heroes of the Storm standard skin. But still entirely relevant to the World of Warcraft incarnation. Abominations feature quite heavily around the frosty wastes of Icecrown (and pretty much everywhere the Scourge reside). They’re big, they’re tough, and they’ll hook you if you’re not careful. They only want to hug you, though. It gets cold out in Icecrown and they find little company amongst the legions of the Scourge. The hook just makes the hug happen that much quicker.
Have a nice week, all!
Art, design, and the like found herein (unless otherwise specified) is drawn and owned by David Wilkshire (also credited as Moggie) from 2006 to present date.
World of Warcraft, Abominations, Stitches, Disease Expulsion, and all associated trademarks and devices are owned by Blizzard Entertainment.